{"id":2248,"date":"2013-12-01T22:21:35","date_gmt":"2013-12-01T21:21:35","guid":{"rendered":"http:\/\/blog.tilos.hu\/hangzoirodalom\/?p=2248"},"modified":"2017-09-02T22:08:11","modified_gmt":"2017-09-02T20:08:11","slug":"kelta-karo-reinterpretationsurrealiste","status":"publish","type":"post","link":"http:\/\/blog.tilos.hu\/hangzoirodalom\/archivum\/2248","title":{"rendered":"KELTA KAR\u00d3: reinterpretationsurrealiste"},"content":{"rendered":"<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2FAt_sz%2Fdecember-1-2013-reinterpretationsurrealiste%2F&amp;hide_cover=1&amp;mini=1&amp;light=1\" width=\"100%\" height=\"60\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: left;\"><em>Interpr\u00e9tations surr\u00e9alistes<\/em><br \/>\n<em> (The French Kings of UBU)<\/em><\/p>\n<p style=\"text-align: left;\"><em>A mix of found sound from the greatest archive of all things experimental \u2013 a mash of mostly French artists in a surreal, entangled web of audio imprints. A tribute to the educational and cultural significance of UBUWEB. (Exceptionally, for this show, the sounds originate almost exclusively from the archives of UBU.com!)<\/em><\/p>\n<p style=\"text-align: left;\"><em>John Whiting presents some early 78 rpm recordings of works by B\u00e9la Bart\u00f3k (June 25, 1962)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Magyar g\u0151zmozdonyok<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.larevuedesressources.org\/IMG\/arton2639.jpg\" alt=\"\" width=\"387\" height=\"575\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Apollinaire\u00a0&#8211; Le Pont Mirabeau \/ Le Voyageur (Alcools, 1913)<\/em><br \/>\n<em> Roland Barthes &#8211; Comment Vivre Ensemble , (Lectures at the Coll\u00e8ge de France, 1977)<\/em><br \/>\n<em> Avant Garde Project &#8211; x<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/1\/1b\/Andr%C3%A9_Breton.JPG\" alt=\"\" width=\"399\" height=\"507\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Andre Breton &#8211; Entretiens d&#8217;Andr\u00e9 Breton avec Andr\u00e9 Parinaud (1952) (L&#8217;aventure surr\u00e9alistic (L&#8217;aventure int\u00e9rieur et la cr\u00e9ation personnelle le disputent aux disciplines sociales)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Pierre Henry &#8211; Concerto des ambiguit\u00e9s 1950 \/ Spirale1955<\/em><\/p>\n<p style=\"text-align: left;\"><em>Andre Breton &#8211; Interview 1950<\/em><\/p>\n<p style=\"text-align: left;\"><em>Pierre Henry &#8211; Coexistence 1958 &#8211; Allegretto<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/2.bp.blogspot.com\/-W1P7-VZD_M0\/TnIlcFKZELI\/AAAAAAAAAG8\/QU2rmBhK89A\/s1600\/Schaeffer+Portrait.jpg\" alt=\"\" width=\"373\" height=\"606\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Pierre Schaeffer &#8211; Etude des Bruits: Path\u00e9tique 1948<\/em><\/p>\n<p style=\"text-align: left;\"><em>V\u00f6gel des Ost Europas<\/em><\/p>\n<p style=\"text-align: left;\"><em>Louis Aragon &#8211; Interview 1963<\/em><\/p>\n<p style=\"text-align: left;\"><em>Erik Satie &#8211; Furniture Music<\/em><\/p>\n<p style=\"text-align: left;\"><em>Jean Cocteau &#8211; No Man&#8217;s Land<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/c\/cf\/Jorge_Luis_Borges_1951,_by_Grete_Stern.jpg\" alt=\"\" width=\"400\" height=\"494\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Lois Borges \u2013 The Craft of Verse (The Norton Lectures) Lecture 6: Word-Music and Translation, (1967-68)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Pierre Henry \u2013 Astrologie (1953)<\/em><br \/>\n<em> Gy\u00f6rgy Ligeti \u2013 Artikulation (1958)<\/em><\/p>\n<p style=\"text-align: left;\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone \" src=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/917FV7rbM5L.jpg\" width=\"401\" height=\"601\" \/><\/p>\n<p style=\"text-align: left;\"><em>John Ashbery &#8211; Landscape (After Baudelaire) (1962) \/ Daffy Duck in Hollywood (Reading for WBAI-FM, Produced by Susan Howe, New York, June 7, 1975)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Pierre Boulez &#8211; R\u00e9pons 1981-84 (6 solistes et ensemble)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Francis Bacon in Conversation With Melvyn Bragg (from South Bank Show, 1995)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Tamas Ungvary &#8211; Gypsy Children&#8217;s Giant Dance with IlI Fourier<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/c\/c6\/Jack_Kerouac_Naval_Reserve_Enlistment,_1943.png\" alt=\"\" width=\"361\" height=\"505\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Jack Kerouac &#8211; Old Angel Midnight<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interpr\u00e9tations surr\u00e9alistes (The French Kings of UBU) A mix of found sound from the greatest archive of all things experimental \u2013 a mash of mostly French artists in a surreal, entangled web of audio imprints. A tribute to the educational and cultural significance of UBUWEB. (Exceptionally, for this show, the sounds originate almost exclusively from [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,1662,22],"tags":[2722,850,858,13,849,847,852,856,810,857,853,855,846,2725,854,851,825,376,1288,848,14,95],"_links":{"self":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts\/2248"}],"collection":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/comments?post=2248"}],"version-history":[{"count":16,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts\/2248\/revisions"}],"predecessor-version":[{"id":5925,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts\/2248\/revisions\/5925"}],"wp:attachment":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/media?parent=2248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/categories?post=2248"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/tags?post=2248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}