{"id":2221,"date":"2013-11-10T19:48:54","date_gmt":"2013-11-10T18:48:54","guid":{"rendered":"http:\/\/blog.tilos.hu\/hangzoirodalom\/?p=2221"},"modified":"2016-11-03T01:25:16","modified_gmt":"2016-11-03T00:25:16","slug":"irodalmi-lepegeto-flux-of-the-beat","status":"publish","type":"post","link":"http:\/\/blog.tilos.hu\/hangzoirodalom\/archivum\/2221","title":{"rendered":"IRODALMI L\u00c9PEGET\u0150: Flux of the Beat"},"content":{"rendered":"<p style=\"text-align: left;\"><iframe loading=\"lazy\" src=\"https:\/\/www.mixcloud.com\/widget\/iframe\/?feed=https%3A%2F%2Fwww.mixcloud.com%2FAt_sz%2Fnovember-10-2013-flux-of-the-beat%2F&amp;hide_cover=1&amp;mini=1&amp;light=1\" width=\"100%\" height=\"60\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: left;\"><em>The Flux of the Beat (Universality of Re:Source)<\/em><br \/>\n<em> Irodalmi L\u00e9peget\u0151 special, Tilos Radio, 2013.11.10.<\/em><br \/>\n<em> Allen Ginsberg ki\u00e1ll\u00edt\u00e1s: Ludwig M\u00fazeum, 2013.11.09-2014.01.14.<\/em><\/p>\n<p style=\"text-align: left;\"><em>John Cage &#8211; Radio Music (1956)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/m.cdn.blog.hu\/lu\/ludwigmuseum\/image\/fal.jpg\" alt=\"\" width=\"384\" height=\"216\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg and Margaret Mead discuss the origin of the term \u201eBeat\u201d<\/em><\/p>\n<p style=\"text-align: left;\"><em>Pierre Henry &#8211; Danse de Jeunes Hommes (Philips, 1965)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Yoko Ono &#8211; Toilette Piece (1971)<\/em><br \/>\n<em> Dick Higgins &#8211; B.B. Finally Dreams About Life, B.B.&#8217;s You Play It (1962)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Pierre Henry \u2013 Fievre (Philips, 1965)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/soundartarchive.net\/images\/works\/Cage-1952-Williams.gif\" alt=\"\" width=\"372\" height=\"300\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>John Cage &#8211; Williams Mix (1951)<\/em><br \/>\n<em> Terence McKenna &#8211; Everything wants to communicate (The Last Interview, 1999)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Art of Noise \u2013 Eye of the Needle (1986)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.poetryfoundation.org\/uploads\/articles\/2b715cc19a\/448x\/dial-a-poem.jpg\" alt=\"\" width=\"448\" height=\"293\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg &#8211; I&#8217;m a Victim of Telephones December (1968) (from The Dial-A-Poem Poets: Disconnected (Giorno Poetry Systems, 1974)<\/em><br \/>\n<em> Allen Ginsberg \u2013 Poemfone Message: 1:44AM Thanks for the Poem (Poemfone: New Word Order, The Tomato Company, 1996)<\/em><br \/>\n<em> Allen Ginsberg \u2013 17 syllables (Poemfone: New Word Order, The Tomato Company, 1996)<\/em><br \/>\n<em> Bengt Hambraeus\u00a0\u2013 Mikrogram (Stockholm, 28th June, 1979, Caprice)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/i.ebayimg.com\/t\/Chaos-Creativity-and-Cosmic-Consciousness-by-Ralph-Abraham-Terence-McKenna-\/00\/$T2eC16ZHJHwE9n8ii0q8BR(PUOKrs!~~_32.JPG?set_id=89040003C1\" alt=\"\" width=\"267\" height=\"400\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Terence McKenna &#8211; Civilization is a Carnival (The Last Interview, 1999)<\/em><br \/>\n<em> Songs of the Humpback Whale (Capitol, 1970)<\/em><br \/>\n<em> Terrence McKenna &#8211; Psychedelic Ethics (The Last Interview, 1999)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Iskra \u2013 Grodsymfonin \/ The Frog Symphony,( Caprice 1977)<\/em><br \/>\n<em> Isao Tomita &#8211; 5th Symphony: 2nd Movement, 1979<\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg &#8211; Poem Rocket (Reading at the Poetry Center, San Francisco State University, February 27, 1959)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Isao Tomita &#8211; Close Ecounters of the Third Kind, 1979<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.acceler8or.com\/wp-content\/uploads\/2012\/09\/gysinburroughs.jpeg\" alt=\"\" width=\"440\" height=\"309\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Nova Convention: Conversations (Brion Gysin, William Burroughs, Timothy Leary, Les Levine, and Robert Anton Wilson, 1979)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Isao Tomita &#8211; Pictures of an Exhibition (1975)<\/em><br \/>\n<em> The Electrosoniks &#8211; Sonic Re-entry (Philips, 1962)<\/em><\/p>\n<p style=\"text-align: left;\"><em>William Burroughs \u2013 The Last Words of Dutch Schulz (This is Insane) Island Records, 1993<\/em><\/p>\n<p style=\"text-align: left;\"><em>The Electrosoniks &#8211; Twilight Ozone(Philips, 1962)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/4.bp.blogspot.com\/-t07g2SZdyvo\/TekZ5nx2dCI\/AAAAAAAABmA\/vlhAhw29QOM\/s1600\/0065.jpg\" alt=\"\" width=\"448\" height=\"276\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Amiri Baraka &#8211; Against Black Bourgeoisie\u00a0(Reading with Ed Dorn at the Just Buffalo Literary Center, Buffalo, NY, December 8, 1978)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg &#8211; Supermarket in California (Reading at the Poetry Center, San Francisco State University, October 25, 1956)<\/em><\/p>\n<p style=\"text-align: left;\"><em>The Electrosoniks &#8211; Song of the Second Moon (Philips, 1962)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.poetryfoundation.org\/uploads\/authors\/william-carlos-williams\/448x\/william-carlos-williams.jpg\" alt=\"\" width=\"446\" height=\"292\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg &#8211; Dream about WCW (from Birth of Tragedy Magazine\u2019s Fear, Power, God, 1987)<\/em><br \/>\n<em> Allen Ginsberg &#8211; Wrote this last night (Reading at the Poetry Center, San Francisco State University, February 27, 1959)<\/em><\/p>\n<p style=\"text-align: left;\"><em>The Electrosoniks &#8211; Moon Maid (Philips, 1962)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg &#8211; Witchita Vortex Sutra (Reading at the Poetry Center, San Francisco State University, October 25, 1956)<\/em><\/p>\n<p style=\"text-align: left;\"><em>The Electrosoniks &#8211; The RayMakers (Philips, 1962)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.socialbookshelves.com\/wp-content\/uploads\/2014\/05\/Ginsberg-Howl.jpg\" alt=\"\" width=\"400\" height=\"423\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg &#8211; Howl I. (Reading at the Poetry Center, San Francisco State University\u2028October 25, 1956)<\/em><\/p>\n<p style=\"text-align: left;\"><em>The Electrosoniks &#8211; The Visitors from Outerspace (Philips, 1962)<\/em><br \/>\n<em> Bernard Herrmann\u00a0\u2013 Psycho (Decca, 1979)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/cps-static.rovicorp.com\/3\/JPG_400\/MI0000\/095\/MI0000095887.jpg?partner=allrovi.com\" alt=\"\" width=\"400\" height=\"394\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>John S. Hall &#8211; Give Me a Dollar (Poemfone: New Word Order, The Tomato Company, 1996)<\/em><br \/>\n<em> Bob Holman &#8211; The Point (Poemfone: New Word Order, The Tomato Company, 1996)<\/em><br \/>\n<em> Sparrow \u2013 A New Service (Poemfone: New Word Order, The Tomato Company, 1996)<\/em><br \/>\n<em> Allen Ginsberg \u2013 Poemfone Message: 1:44AM Thanks for the Poem (Poemfone: New Word Order, The Tomato Company, 1996)<\/em><br \/>\n<em> Sparrow \u2013 A New Service (Poemfone: New Word Order, The Tomato Company, 1996)<\/em><br \/>\n<em> Bo Nilsson &#8211;\u00a0Fragments for Marimba and Five Gongs ((Stockholm, Caprice, 1978)<\/em><\/p>\n<p style=\"text-align: left;\"><em>Slim Gaillard\u00a0&#8211; Tea Say Malee (June, 1946, Hep, 1982)<\/em><\/p>\n<p style=\"text-align: left;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/farm2.staticflickr.com\/1125\/3352821371_79b4001b28_o.jpg\" alt=\"\" width=\"418\" height=\"601\" \/><\/em><\/p>\n<p style=\"text-align: left;\"><em>Allen Ginsberg &#8211; CIA Dope Calypso (from Sugar, Meat, Alcohol (Giorno Poetry Systems)<\/em><\/p>\n<p style=\"text-align: left;\"><em>The Clash featuring Allen Ginsberg &#8211; Capitol Air, (live in NYC, 1981)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Flux of the Beat (Universality of Re:Source) Irodalmi L\u00e9peget\u0151 special, Tilos Radio, 2013.11.10. Allen Ginsberg ki\u00e1ll\u00edt\u00e1s: Ludwig M\u00fazeum, 2013.11.09-2014.01.14. John Cage &#8211; Radio Music (1956) Allen Ginsberg and Margaret Mead discuss the origin of the term \u201eBeat\u201d Pierre Henry &#8211; Danse de Jeunes Hommes (Philips, 1965) Yoko Ono &#8211; Toilette Piece (1971) Dick Higgins [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,1662,56],"tags":[768,753,736,748,743,13,771,772,744,756,766,761,741,751,770,1291,763,769,2727,746,745,449,759,737,738,767,755,376,762,765,773,760,14,752,742,747,735,764,754,758,740,757,749,95,750,739],"_links":{"self":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts\/2221"}],"collection":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/comments?post=2221"}],"version-history":[{"count":21,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts\/2221\/revisions"}],"predecessor-version":[{"id":5505,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/posts\/2221\/revisions\/5505"}],"wp:attachment":[{"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/media?parent=2221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/categories?post=2221"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.tilos.hu\/hangzoirodalom\/wp-json\/wp\/v2\/tags?post=2221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}