{"id":5955,"date":"2020-10-26T18:25:20","date_gmt":"2020-10-26T17:25:20","guid":{"rendered":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5955"},"modified":"2021-06-06T19:57:47","modified_gmt":"2021-06-06T17:57:47","slug":"bruton-music-part-five","status":"publish","type":"post","link":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5955","title":{"rendered":"Bruton Music, part five"},"content":{"rendered":"<p>&#8230;r\u00e1ad\u00e1s, a Br\u00fcsszeli Dikt\u00e1tum s\u00e1vj\u00e1ban<br \/>\n00. Brian Bennett &#8211; Discovery (BRI10, Fantasia, btw together with the last 15 exclusive ending seconds of the track before, only on this Bruton release)<br \/>\n&#8212;<br \/>\n17:14:17<br \/>\n<a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_five.mp3\" rel=\"noopener\" target=\"_blank\">Bruton Music, part five<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/bruton-music-part-five\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n[see the more simple\/traditional style tracklist \u2013 with only the artists\u2019 names and track titles \u2013 below, at the bottom of this post, thanks]<br \/>\n01. J. Leach \/ G. Fenton &#8211; Chopsticks (Jolly folk tune. Solo Yang-Chin) 2:08<br \/>\n[BRR4, The Orient. 12]<br \/>\n02. John Cameron &#8211; Mainstreet (Busy streets) 1:26<br \/>\n[BRE2, Children. In a variety of styles from unusual chamber orchestra to simple vibraphone. 61]<br \/>\n03. J. Leach \/ G. Fenton &#8211; Downtown Tokyo (Modern) 2:18<br \/>\n[BRR4, The Orient. 12]<br \/>\n04. Keith Roberts &#8211; Magnum Force (Powerful, industrious) 2:19<br \/>\n[BRG21, Bold as Brass. Contemporary, big, confident. 188]<br \/>\n05. Irving Martin &amp; Brian Dee &#8211; Moving Scene (Medium tempo moog feature with &#8220;Shaft&#8221; guitar) 0:43<br \/>\n[BRH2, Heavy Rock. Heavy contemporary Rock Music. 5]<br \/>\n06. Francis Monkman &#8211; Hard Sell (Active, purposeful) 2:40<br \/>\n[BRH5, Lighy My Fire. Uptempo, vivid Brass and Rhythm. 62]<br \/>\n07. Frank Ricotti &#8211; Rhythm Stick (Catchy, medium pace) 3:30<br \/>\n[BRH8, Rhtyhm Stick. Pacey and loud to cool layed back contemporary scores featuring Guitars, Keyboards, Woodwind, Brass, Drums and Percussion. 102]<br \/>\n17:30<br \/>\n08. L. Hurdle \/ F. Ricotti &#8211; Move On (Funky active underscore) 1:23<br \/>\n[BRH5, Lighy My Fire. Uptempo, vivid Brass and Rhythm. 62]<br \/>\n09. Irving Martin\/Brian Dee &#8211; Truckin&#8217; On (BRG7) 00:58<br \/>\n[BRB4, Jingles. All 28 secs in duration. Where extended versions have been issued which will edit to 58 secs, corresponding record nos. are indicated in brackets. 78]<br \/>\n10. Francis Monkman &#8211; Work On (Funky motion) 3:32<br \/>\n[BRH8, Rhtyhm Stick. Pacey and loud to cool layed back contemporary scores featuring Guitars, Keyboards, Woodwind, Brass, Drums and Percussion. 102]<br \/>\n11. Miki Antony &amp; Tom Parker &#8211; Tension In The City (fast fuitar solo &amp; clavinet riff) 2:00<br \/>\n[BRH2, Heavy Rock. Heavy contemporary Rock Music. 5]<br \/>\n12. Andrew Jackman &#8211; Popshop (Funky bounce) 2:39<br \/>\n[BRG6, Sunny Sides. Carefree contemporary tunefuls of small group instrumentation. 67]<br \/>\n13. Miki Antony &amp; Tom Parker &#8211; Dirty Rat (Medium tempo blues featuring guitar solo &amp; clavinet solo) 1:30<br \/>\n[BRH2, Heavy Rock. Heavy contemporary Rock Music. 5]<br \/>\n14. Keith Mansfield &#8211; Travelogue (Light travel motion) 1:46<br \/>\n[BRG3, Country Bound. Modern open air active scenes. 39]<br \/>\n15. Robert Folk &#8211; Vegas (Uptempo bright lights) 2:13<br \/>\n[BRG15, Spectacle. Big, broad, exciting themes. 120]<br \/>\n16. Milt Dalton &#8211; Halfway to Rio (Sunny acoustic guitar feature) 2:50<br \/>\n[BRG18, Get Up And Go. Exciting, bright, colourful. 160]<br \/>\n17. Steve Gray &#8211; Country Holiday (Pleasant, clean and fresh) 1:30<br \/>\n[BRJ15, Country Folk. A suite for Flute, Oboe and Rhythm, applicable to country environment, holidays etc.106]<br \/>\n18. David Lindup &#8211; High Spot 1. (Fast, exciting) 1:37<br \/>\n[BRG33, Broadcast. Contemporary. A Side Rhythm, Brass and Strings. B Side Rhtythm with assorted front line.]<br \/>\n19. Jim Lawless &#8211; Aggro (Repetitive percussion) 1:22<br \/>\n[BRK1, Driving Force. Dangerous and exciting action. 28]<br \/>\n20. L. Hurdle \/ F. Ricotti &#8211; Progress with Percussion (Industrious action) 2:25<br \/>\n[BRL3, Advanced Technology. Efficient, contemporary, purposeful. Realised with the use of advanced recording techniques. 75]<br \/>\n21. Trevor Bastow &#8211; Motion 8 (Bass figure with mid-tempo light rhythm to button) 2:00<br \/>\n[BRK5, Contemporary Motion. Action scenes in varying degrees of intensity. 93]<br \/>\n22. I. Martin \/ B. Dee &#8211; Silicone Chip (Smooth, confident, unhurried) 2:25<br \/>\n[BRL5, Light Industry. Contemporary, semi-electronic. 103]<br \/>\n18:00<br \/>\n23. James Asher &#8211; Mining (Mechanical motion) 2:13<br \/>\n[BRL9, Commerce. Semi electronic, industrious. 177]<br \/>\n24. Brian Bennett &#8211; Pop Vox (Light but urgent motion) 2:40<br \/>\n[BRG8, Fresh Approach. Contemporary foreground material. 73 + BRL5]<br \/>\n25. David Lindup &#8211; Backseat (Funky motion, features Bass Guitar) 1:42<br \/>\n[BRG33, Broadcast. Contemporary. A Side Rhythm, Brass and Strings. B Side Rhtythm with assorted front line.]<br \/>\n26. Andrew Jackman &#8211; Going Away (Extrovert fun-rock) 2:10<br \/>\n[BRK5, Contemporary Motion. Action scenes in varying degrees of intensity. 93]<br \/>\n27. Francis Monkman &#8211; Heavy Duty (Slow weird sensuous) 1:38<br \/>\n[BRH8, Rhtyhm Stick. Pacey and loud to cool layed back contemporary scores featuring Guitars, Keyboards, Woodwind, Brass, Drums and Percussion. 102]<br \/>\n28. Baker\/Morgan &#8211; Birdland 00:28<br \/>\n[BRB4, Jingles. All 28 secs in duration. Where extended versions have been issued which will edit to 58 secs, corresponding record nos. are indicated in brackets. 78]<br \/>\n29. Stephen St. Paul &#8211; Black Mass (Dark chant with FX and screams) 2:20<br \/>\n[BRM10, Atmospheric Chorale. Strange atmospherics featuring human voices. 202]<br \/>\n30. Steve Jolliffe &#8211; Earth Man (Unhurried motion) 2:51<br \/>\n[BRJ24, Earth. Folky surrealistic impressions of life on earth past, present and future. 167]<br \/>\n31. Gus Galbraith \/ Sam Sklair &#8211; Chat Show (Light Jazz, Electro-Trombone feature) 2:12<br \/>\n[BRG16, Novelties. Happy small group novelties. 138]<br \/>\n32. Brian Bennett &#8211; Twilight Zone (Timorous, waiting) 3:21<br \/>\n[BRJ6, The World Around Us. A penetrating sutdy of nature. Woodwind, Harp, Percussion, Piano and String Quartet. 69]<br \/>\n33. Trevor Bastow \u2013 Kinetic Research (Slow, sonorous) 3:17<br \/>\n[BRI8, Kinetics\/Vision. [\u2026] 122]<br \/>\n34. Alan Hawkshaw \u200e- Probe 1. (Bold futuristic) 2:59<br \/>\n[BRI6, Frontiers of Science. Contemporary electronic atmospherics. 105]<br \/>\n35. Alan Hawkshaw &#8211; Seaspeed 1 (Fast, determined, smooth) 3:58<br \/>\n(BRI20, Audio Visual Energy. Electro-industrial theme sequences. 192]<br \/>\n18:29:59<br \/>\n&#8212;<br \/>\nh\u00edrek\/news<br \/>\n36. Alan Hawkshaw \u2013 Dark Vision (Sustained dark chords) 3:04<br \/>\n[BRI8, Kinetics\/Vision. [\u2026] A foresight of new technology. 122]<br \/>\nRehab a Tort\u00e1n radio show <\/p>\n<p><strong>Hallgasd meg itt \/ Listen here<\/strong>:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20201026-171417-182959.mp3\" target=\"_blank\">as a single .mp3<\/a><br \/>\nor in ~ half an hour long parts:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20201026-171417-173000.mp3\">17:00<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20201026-173000-180000.mp3\">17:30<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20201026-180000-182959.mp3\">18:00<\/a><\/p>\n<p><a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_five.mp3\" rel=\"noopener\" target=\"_blank\">Bruton Music, part five<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/bruton-music-part-five\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n<img decoding=\"async\" src=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_five.jpg\" alt=\"Bruton Music, part five\" \/><br \/>\n01. J. Leach \/ G. Fenton \u2013 Chopsticks<br \/>\n02. John Cameron \u2013 Mainstreet<br \/>\n03. J. Leach \/ G. Fenton \u2013 Downtown Tokyo<br \/>\n04. Keith Roberts \u2013 Magnum Force<br \/>\n05. Irving Martin &amp; Brian Dee \u2013 Moving Scene<br \/>\n06. Francis Monkman \u2013 Hard Sell<br \/>\n07. Frank Ricotti \u2013 Rhythm Stick<br \/>\n08. L. Hurdle \/ F. Ricotti \u2013 Move On<br \/>\n09. Irving Martin\/Brian Dee \u2013 Truckin\u2019 On<br \/>\n10. Francis Monkman \u2013 Work On<br \/>\n11. Miki Antony &amp; Tom Parker \u2013 Tension In The City<br \/>\n12. Andrew Jackman \u2013 Popshop<br \/>\n13. Miki Antony &amp; Tom Parker \u2013 Dirty Rat<br \/>\n14. Keith Mansfield \u2013 Travelogue<br \/>\n15. Robert Folk \u2013 Vegas<br \/>\n16. Milt Dalton \u2013 Halfway to Rio<br \/>\n17. Steve Gray \u2013 Country Holiday<br \/>\n18. David Lindup \u2013 High Spot 1.<br \/>\n19. Jim Lawless \u2013 Aggro<br \/>\n20. L. Hurdle \/ F. Ricotti \u2013 Progress with Percussion<br \/>\n21. Trevor Bastow \u2013 Motion 8<br \/>\n22. I. Martin \/ B. Dee \u2013 Silicone Chip<br \/>\n23. James Asher \u2013 Mining<br \/>\n24. Brian Bennett \u2013 Pop Vox<br \/>\n25. David Lindup \u2013 Backseat<br \/>\n26. Andrew Jackman \u2013 Going Away<br \/>\n27. Francis Monkman \u2013 Heavy Duty<br \/>\n28. Baker\/Morgan \u2013 Birdland<br \/>\n29. Stephen St. Paul \u2013 Black Mass<br \/>\n30. Steve Jolliffe \u2013 Earth Man<br \/>\n31. Gus Galbraith \/ Sam Sklair \u2013 Chat Show<br \/>\n32. Brian Bennett \u2013 Twilight Zone<br \/>\n33. Trevor Bastow \u2013 Kinetic Research<br \/>\n34. Alan Hawkshaw \u200e- Probe 1.<br \/>\n35. Alan Hawkshaw \u2013 Seaspeed 1 <\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8230;r\u00e1ad\u00e1s, a Br\u00fcsszeli Dikt\u00e1tum s\u00e1vj\u00e1ban 00. Brian Bennett &#8211; Discovery (BRI10, Fantasia, btw together with the last 15 exclusive ending seconds of the track before, only on this Bruton release) &#8212; 17:14:17 Bruton Music, part five (mixcloud) [see the more &hellip; <a href=\"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5955\">Egy kattint\u00e1s ide a folytat\u00e1shoz&#8230;. <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,11],"tags":[40],"_links":{"self":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5955"}],"collection":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5955"}],"version-history":[{"count":9,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5955\/revisions"}],"predecessor-version":[{"id":6370,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5955\/revisions\/6370"}],"wp:attachment":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5955"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}