{"id":5787,"date":"2020-08-10T16:56:55","date_gmt":"2020-08-10T14:56:55","guid":{"rendered":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5787"},"modified":"2021-06-06T19:37:39","modified_gmt":"2021-06-06T17:37:39","slug":"bbd-radioshow-08-10-2020-may-the-force-be-with-kpm","status":"publish","type":"post","link":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5787","title":{"rendered":"BBD radioshow 08.10.2020 &#8211; May the force Be With KPM"},"content":{"rendered":"<p><a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-may_the_force_be_with_kpm.mp3\" rel=\"noopener\" target=\"_blank\">May the force Be With KPM<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/may-the-force-be-with-kpm\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n[see the more simple\/traditional style tracklist \u2013 with only the artists\u2019 names and track titles \u2013 below, at the bottom of this post, thanks]<br \/>\n15:05:35<br \/>\n01. Alan Parker \/ Alan Hawkshaw &#8211; Autopulse (&#8220;Complex mechanical rhythm&#8221;) 1:41<br \/>\nfrom Beat Industrial, KPM1079: &#8220;New sounds specially conecived for documentary and industrial application&#8221;<br \/>\n02. John Cameron &#8211; Underlying Expectancy (&#8220;Light neutral underscore with underlying tension&#8221;) 4:14<br \/>\nfrom Jazzrock, BEWITH059LP\/KPM1097: &#8220;A dramatic suite of themes, montages, sequences and generics&#8221;<br \/>\n03. Jean Bouch\u00e9ty  &#8211; Taking Off (version 1) (&#8220;Powerful uptempo theme featuring voices&#8221;) 2:31<br \/>\nfrom The Magic of Bouchety, KPM1109: &#8220;Spectacular contemporary themes scored for full orchestra&#8221;<br \/>\n04. Johnny Pearson &#8211; Action in Memphis (&#8220;Vibrant theme with plenty of points for exciting cutting&#8221;) 2:11<br \/>\nfrom Life Is For Living, KPM1110: &#8220;Impact themes for titles and montages&#8221;<br \/>\n05. Alan Hawkshaw &#8211; Traffic (&#8220;Forceful underscore with cutting points&#8221;) 3:12<br \/>\nfrom Move With The Times, KPM1122: &#8220;Contemporary, brash, aggressive&#8221;<br \/>\n06. John Cameron &#8211; Swamp Fever (&#8220;Heavy funky pop with Afro percussion&#8221;) 2:07<br \/>\nfrom Afro Rock, BEWITH058LP\/KPM1130: &#8220;Hard Afro pop featuring large percussive rhythm section and front line&#8221;<br \/>\n07. Brian Bennett &#8211; Image (&#8220;Reflective scenic underscore which grows to full orchestra. Ends as beginning&#8221;) 4:29<br \/>\nfrom Image, KPM1141: &#8220;Imaginitive descriptive scores, active and passive&#8221;<br \/>\n08. Brian Bennett &#8211; The Investigator (&#8220;Aggressive medium pace underscore&#8221;) 3:22<br \/>\nfrom The Hunter (Drama Suite) \/ Adventure Story, BEWITH072LP\/KPM1157: &#8220;Composite theme and incidental cues for drama application&#8221;<br \/>\n15:30<br \/>\n09. Dave Richmond &#8211; Confunktion (&#8220;Heavy fuzz guitar riff escalation to climax at 0:40; bizarre middle section, reverting to fuzz build, and sustained tail&#8221;) 4:33<br \/>\nfrom Rock Spectrum, KPM1163: &#8220;Varied styles in contemporary rock and pop music&#8221;<br \/>\n10. Alan Hawkshaw &#8211; Towards Tomorrow (&#8220;Building sequences. Starts quiet anticipation, grows to full exuberant theme&#8221;) 3:13<br \/>\nfrom Sounds Of The Times, KPM1170: &#8220;Contemporary scores featuring strong rhythm section with brass, woodwind or strings&#8221;<br \/>\n11. Brian Bennett &#8211; Corridors Of Power (&#8220;Brass fanfare to gradual build from solo guitar to full orchestra &#8211; achievement motif&#8221;) 3:35<br \/>\nfrom Impact, KPM1171: &#8220;Hard-hitting dramatic themes in a serious vein&#8221;<br \/>\n12. Brian Bennett &#8211; Nuplex (&#8220;Punctuated intercuttin underscore with reflective elements&#8221;) 3:59<br \/>\nfrom Visual Impact, BEWITH071LP\/KPM1172: &#8220;Descriptive scores for scenes of visual impact&#8221;<br \/>\n13. James Clarke &#8211; Life Of Luxury (&#8220;Rich, luxurient&#8221;) 2:25<br \/>\nfrom Tender Emotions, KPM1180: &#8220;Tender and romantic orchestral moods&#8221;<br \/>\n14. Keith Mansfield &#8211; Crash Course (&#8220;Building Brass to fast dangerous action or chase&#8221;) 2:40<br \/>\nfrom Vivid Underscores, KPM1190: &#8220;Contemporary scores for visual effect&#8221;<br \/>\n15. Alan Hawkshaw \u200e\u2013 Mystique Voyage (&#8220;Exotic dreamy&#8221;) 2:45<br \/>\nfrom The Road Forward, KPM1192: &#8220;A comprehensive collection of descriptive contemporary scores&#8221;<br \/>\n16. S. Benson &#8211; God Rest You Merry Gentlemen (&#8220;Traditional opening into contemporary arrangement&#8221;) 2:00<br \/>\nfrom The Spirit of Christmas, KPM1213: &#8220;The Vocal and Instrumental Celebration of Christmas in Traditional Modern Styles&#8221;<br \/>\n17. Alan Parker \/ Alan Hawkshaw &#8211; Day Shift (&#8220;Light percussive activity&#8221;) 1:54 (Beat Industrial, KPM1079) 1:54<br \/>\n18. John Cameron &#8211; No Place To Go (&#8220;Light reflective underscore with activity&#8221;) (Jazzrock, BEWITH059LP\/KPM1097) 2:52<br \/>\n16:00<br \/>\n19. Jean Bouch\u00e9ty  &#8211; Chicago Generator (&#8220;Heavy medium pace flamboyant rock&#8221;) (The Magic of Bouchety, KPM1109) 2:50<br \/>\n20. Johnny Pearson &#8211; Back Beat (&#8220;Aggressive percussive theme&#8221;) (Life Is For Living, KPM1110) 1:53<br \/>\n21. Alan Hawkshaw &#8211; Here Comes The Blues (&#8220;Slow groovy organ solo&#8221;) (Move With The Times, KPM1122) 3:30<br \/>\n22. John Cameron &#8211; Afro Metropolis (&#8220;Busy rhythmic underscore &#8211; Afro percussion&#8221;) (Afro Rock, BEWITH058LP\/KPM1130) 2:34<br \/>\n23. D. Gold \/ G. Rees &#8211; Forbidden Fruit (&#8220;Evocative dramatic theme&#8221;) (Image, KPM1141) 2:19<br \/>\n24. Brian Bennett &#8211; Hideout (&#8220;Suspensed tension. Build to tail end&#8221;) (The Hunter (Drama Suite) \/ Adventure Story, BEWITH072LP\/KPM1157) 2:55<br \/>\n25. Brian Bennett &#8211; Samba School (&#8220;Festive samba&#8221;) (Rock Spectrum, KPM1163) 2:20<br \/>\n26. Alan Hawkshaw &#8211; Challenger (&#8220;Smooth front line over brooding insistent rhythm&#8221;) (Sounds Of The Times, KPM1170) 4:18<br \/>\n27. Chris Gunning &#8211; Tough Assignment (&#8220;Tough, affressive&#8221;) (Impact, KPM1171) 2:33<br \/>\n28. John Scott &#8211; Canaveral Scape (&#8220;Massive objects&#8221;) (Visual Impact, BEWITH071LP\/KPM1172) 2:42<br \/>\n29. James Clarke &#8211; Tenderly Yours (&#8220;Warm, pleasant&#8221;) (Tender Emotions, KPM1180) 2:38<br \/>\n16:30<br \/>\n30. Keith Mansfield &#8211; Dawn of Aquarius (&#8220;Impressive, futuristic, grandiose&#8221;) (Vivid Underscores, KPM1190) 2:50<br \/>\n31. Alan Hawkshaw \u200e\u2013 Man Of Means (&#8220;Sophisticated enjoyment&#8221;) (The Road Forward, KPM1192) 3:12<br \/>\n32. Alan Parker \/ Alan Hawkshaw &#8211; Soft Image b. (&#8220;As above with brass drone&#8221;) (Beat Industrial, KPM1079) 2:14<br \/>\n33. John Cameron &#8211; Four O&#8217;Clock Earthquake (&#8220;Powerful uptempo theme written in sequences of progressive builds to full climax&#8221;) (Jazzrock, BEWITH059LP\/KPM1097)<br \/>\n34. Johnny Pearson &#8211; Thunderbird (&#8220;Determined exciting action&#8221;) (Life Is For Living, KPM1110) 2:02<br \/>\n35. Alan Hawkshaw &#8211; Undergroove (&#8220;Determined mechanical underscore&#8221;) (Move With The Times, KPM1122) 2:28<br \/>\n36. John Cameron &#8211; Survival (&#8220;Heavy pounding Afro pop rhythm under flute melody&#8221;) (Afro Rock, BEWITH058LP\/KPM1130) 2:49<br \/>\n37. Neil Richardson &#8211; Crystal Ball (&#8220;Static scenes &#8211; quizical&#8221;) (Image, KPM1141) 2:38<br \/>\n38. Brian Bennett &#8211; Speed Trap (&#8220;Forceful chase or fight&#8221;) (The Hunter (Drama Suite) \/ Adventure Story, BEWITH072LP\/KPM1157) 0:53<br \/>\n39. Brian Bennett &#8211; Quantum (&#8220;Bizarre wild sounds over insistant pop rhythm&#8221; (Rock Spectrum, KPM1163) 4:55<br \/>\n40. Alan Hawkshaw &#8211; Sunshine Special (&#8220;Happy, exuberant&#8221;) (Sounds Of The Times, KPM1170) 1:55<br \/>\n41. Keith Mansfield &#8211; The Contract (&#8220;Rugged medium pace dramatic theme&#8221;) (Impact, KPM1171) 3:25<br \/>\n17:00<br \/>\n42. John Scott &#8211; Flight Of The Phoenix (&#8220;Incessant emergence&#8221;) (Visual Impact, BEWITH071LP\/KPM1172) 2:49<br \/>\n17:02:41<br \/>\nBaris K Turkish &#8217;80s-&#8217;90s music mix from radio BIS<\/p>\n<p><strong>Hallgasd meg itt \/ Listen here<\/strong>:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200810-150535-170241.mp3\" target=\"_blank\">as a single .mp3<\/a><br \/>\nor in ~ half an hour long parts:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200810-150535-153000.mp3\">15:00<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200810-153000-160000.mp3\">15:30<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200810-160000-163000.mp3\">16:00<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200810-163000-170241.mp3\">16:30<\/a> <\/p>\n<p><a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-may_the_force_be_with_kpm.mp3\" rel=\"noopener\" target=\"_blank\">May the force Be With KPM<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/may-the-force-be-with-kpm\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n<img decoding=\"async\" src=\"http:\/\/bossabomdia.tilos.hu\/kpm_bbd.jpg\" alt=\"May the force Be With KPM\" \/><br \/>\n01. Alan Parker \/ Alan Hawkshaw \u2013 Autopulse<br \/>\n02. John Cameron \u2013 Underlying Expectancy<br \/>\n03. Jean Bouch\u00e9ty \u2013 Taking Off (version 1)<br \/>\n04. Johnny Pearson \u2013 Action in Memphis<br \/>\n05. Alan Hawkshaw \u2013 Traffic<br \/>\n06. John Cameron \u2013 Swamp Fever<br \/>\n07. Brian Bennett \u2013 Image<br \/>\n08. Brian Bennett \u2013 The Investigator<br \/>\n09. Dave Richmond \u2013 Confunktion<br \/>\n10. Alan Hawkshaw \u2013 Towards Tomorrow<br \/>\n11. Brian Bennett \u2013 Corridors Of Power<br \/>\n12. Brian Bennett \u2013 Nuplex<br \/>\n13. James Clarke \u2013 Life Of Luxury<br \/>\n14. Keith Mansfield \u2013 Crash Course<br \/>\n15. Alan Hawkshaw \u200e\u2013 Mystique Voyage<br \/>\n16. S. Benson \u2013 God Rest You Merry Gentlemen<br \/>\n17. Alan Parker \/ Alan Hawkshaw \u2013 Day Shift<br \/>\n18. John Cameron \u2013 No Place To Go<br \/>\n19. Jean Bouch\u00e9ty \u2013 Chicago Generator<br \/>\n20. Johnny Pearson \u2013 Back Beat<br \/>\n21. Alan Hawkshaw \u2013 Here Comes The Blues<br \/>\n22. John Cameron \u2013 Afro Metropolis<br \/>\n23. D. Gold \/ G. Rees \u2013 Forbidden Fruit<br \/>\n24. Brian Bennett \u2013 Hideout<br \/>\n25. Brian Bennett \u2013 Samba School<br \/>\n26. Alan Hawkshaw \u2013 Challenger<br \/>\n27. Chris Gunning \u2013 Tough Assignment<br \/>\n28. John Scott \u2013 Canaveral Scape<br \/>\n29. James Clarke \u2013 Tenderly Yours<br \/>\n30. Keith Mansfield \u2013 Dawn of Aquarius<br \/>\n31. Alan Hawkshaw \u200e\u2013 Man Of Means<br \/>\n32. Alan Parker \/ Alan Hawkshaw \u2013 Soft Image b.<br \/>\n33. John Cameron \u2013 Four O\u2019Clock Earthquake<br \/>\n34. Johnny Pearson \u2013 Thunderbird<br \/>\n35. Alan Hawkshaw \u2013 Undergroove<br \/>\n36. John Cameron \u2013 Survival<br \/>\n37. Neil Richardson \u2013 Crystal Ball<br \/>\n38. Brian Bennett \u2013 Speed Trap<br \/>\n39. Brian Bennett \u2013 Quantum<br \/>\n40. Alan Hawkshaw \u2013 Sunshine Special<br \/>\n41. Keith Mansfield \u2013 The Contract<br \/>\n42. John Scott \u2013 Flight Of The Phoenix <\/p>\n","protected":false},"excerpt":{"rendered":"<p>May the force Be With KPM (mixcloud) [see the more simple\/traditional style tracklist \u2013 with only the artists\u2019 names and track titles \u2013 below, at the bottom of this post, thanks] 15:05:35 01. Alan Parker \/ Alan Hawkshaw &#8211; Autopulse &hellip; <a href=\"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5787\">Egy kattint\u00e1s ide a folytat\u00e1shoz&#8230;. <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,11],"tags":[20,61,6,5,40,23],"_links":{"self":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5787"}],"collection":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5787"}],"version-history":[{"count":32,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5787\/revisions"}],"predecessor-version":[{"id":6361,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5787\/revisions\/6361"}],"wp:attachment":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5787"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}