{"id":5778,"date":"2020-08-03T16:52:13","date_gmt":"2020-08-03T14:52:13","guid":{"rendered":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5778"},"modified":"2021-06-06T19:36:50","modified_gmt":"2021-06-06T17:36:50","slug":"bbd-radioshow-08-03-2020-bruton-music-part-three","status":"publish","type":"post","link":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5778","title":{"rendered":"BBD radioshow 08.03.2020 – Bruton Music, part three"},"content":{"rendered":"

15:05:19
\nBruton Music, part three<\/a> (mixcloud<\/a>)
\n[see the more simple\/traditional style tracklist \u2013 with only the artists\u2019 names and track titles \u2013 below, at the bottom of this post, thanks]
\n01. John Scott – Pleasant Surroundings 2 (Thematic with Strings) 1:35
\n[BRD13, Serenity. Soft and pretty. Styles vary from contemporary to quaint. 135]
\n02. Brian Bennett – Surf (Sea of airshots. Slow swell with motive figures.) 3:25
\n[BRD19, Nature Watch. Sustained electro-atmospherics. 190]
\n03. Alan Hawkshaw – Soft Throttle (Cool and funky) 2:55
\n[BRG6, Sunny Sides. Carefree contemporary tunefuls of small group instrumentation. 67]
\n04. Keith Roberts – Skyscraper (Busy, metropolitan) 2:12
\n[BRG21, Bold as Brass. Contemporary, big, confident. 188]
\n05. C. Rae \/ F. McDonald \/ G. Shury – Night Groove (Classy, romantic) 2:30
\n[BRH1, Rock City. Slick metropolitan and travelling backcloths. 4]
\n06. Warren Bennett – Mix It Up (Cool “Axel F” rhythm) 2:38
\n[BRH28, In The Groove. Exciting contemporary sounds.]
\n07. Alan Hawkshaw \u200e- Eternity (Nebulous time passage) 4:11
\n[BRI6, Frontiers of Science. Contemporary electronic atmospherics. 105]
\n08. Jean Bouchety – Lifeblood Ending 2 (Editable held tail) 0:36
\n[BRI7, Biology. Abstract Electronics with Percussion. Most items have a submix designed for when less musical intensity is required. 114]
\n09. Alan Hawkshaw – Digital Vision (Complex rhthmic readout] 2:17
\n[BRI8, Kinetics\/Vision. […] A foresight of new technology. 122]
\n15:30
\n10. Brian Bennett – Discovery (An environment of unreality to an unresolved conclusion.) 6:11
\n[BRI10, Fantasia. An electronic suite not conforming to the usual rules of music but comprising various airs and movements according to the composers creative inspiration. 130]
\n11. John Coleman – Exciting Enterprise 1 (Opening statement to pacey bright theme) 2:40
\n[BRJ13, Enterprise\/Let’s Go. A contemporary theme set for Brass, Synthesisers and Rhythm descriptive of purpose and efficiency. […] 100]
\n12. David Lindup – Stealth 1 (Suspense with dark undertones to tail) 1:40
\n[BRJ22, Interpol. All time favourite crime fighting dramatics. Suspense build ups, chases, links, bridges and stings. 157]
\n13. John Cameron – High Noon (Tension. Features Spanish Guitar & Wood Flute) 3:21
\n[BRJ28, Badlands. A comprehensive set of drama cues applicable to the Americas, past and present. 232]
\n14. Mike Vickers – Driving Force (Bright, propulsive) 2:11
\n[BRK1, Driving Force. Dangerous and exciting action. 28]
\n15. Francis Monkman – Current Affairs (Purposeful, industrious, semi-electronic) 3:21
\n[BRL4, Futurama. Semi-electronic sequences for new technology. 90]
\n16. I. Martin\/B. Dee \u2013 Glass (Warm, revolving) 2:27
\n[BRL5, Light Industry. Contemporary, semi-electronic. 103]
\n17. Alan Hawkshaw – Autopower (High powered energy) 2:40
\n[BRL7, Music Machine. Clean, fresh, futuristic. 166]
\n18. Zoe De Souza – Fast Output (Fast Motion) 2:44
\n[BRL17, Aggressive Advertising. Positive, optimistic. A blend of realsound and synthesisers. 281]
\n19. Les Hurdle \/ Frank Ricotti\t– Dank (Hollow suspense) 1:44
\n[BRM3, Darkside. Contemporary and futuristic. 45]
\n20. John Cameron – Satin 2 (Alto Sax with unhurried motion) 2:34
\n[BRM8, Watchful Eye. Nervous, apprehensive. A Side more suited to drama. B Side more suited to documentary. 163]
\n16:00
\n21. John Cameron – Treck (Melancholy Bass Clarinet-like melody over dark suspenseful underscore) 3:10
\n[BRM9, Survival. Contemporary atmospherics with a generic feel of unease. 176]
\n22. Alan Hawkshaw – Underwater Voyage (Weirsd, suspended) 3:14
\n[BRM14, Underworld. Strange suspenseful underscores. Especially suitable for underwater scenes. 287]
\n23. Keith Mansfield – Important Montage 2 (More emphasis on rhythm) 0:55
\n[BRN3, Progress. The achievements of man. 37]
\n24. Paul Martin – Peasants Pastures (Quaint, peaceful) 3:03
\n[BRO3, An Age of Elegance. Musical reflections of past cultures. 76]
\n25. John Cameron – Serengeti Sunlight (Lighthearted. Ominous last chord) 1:17
\n[BRR19, Sketches of Africa. Intriguing Woodwinds, intricate Percussion indicative of Nature Study and native Africa. 251]
\n26. T. Osei, M. Tontoh, A. Harry & M. Owusu (aka ~Osibisa) \u2013 Call of Africa (Happy Flute feature) 2:34
\n[BRR20, Modern Africa. Contemporary Brass, Woodwind, Rhythm and Percussion. 252]
\n27. Duncan Lamont – Funky Flutes (Layed back Alto Flute feature) 4:02
\n[BRD13, Serenity. Soft and pretty. Styles vary from contemporary to quaint. 135]
\n28. Brian Bennett – Carefree (Light 5\/4 movement) 2:24
\n[BRG6, Sunny Sides. Carefree contemporary tunefuls of small group instrumentation. 67]
\n29. C. Rae \/ F. McDonald \/ G. Shury – Fast Drive (Smooth fast speed) 2:33
\n[BRH1, Rock City. Slick metropolitan and travelling backcloths. 4]
\n30. Alan Hawkshaw \u200e- Frontiers of Science (Important, explanatory) 3:06
\n[BRI6, Frontiers of Science. Contemporary electronic atmospherics. 105]
\n31. Alan Hawkshaw – Vision 1. (Clarion theme over rapid sequential patterns) 2:31
\n[BRI8, Kinetics\/Vision. […] A foresight of new technology. 122]
\n16:30
\n32. Brian Bennett – A New World (The creation of Utopia) 6:34
\n[BRI10, Fantasia. An electronic suite not conforming to the usual rules of music but comprising various airs and movements according to the composers creative inspiration. 130]
\n33. Alan Hawkshaw – Technicolour (Dynamic impressive theme) 2:36
\n[BRL7, Music Machine. Clean, fresh, futuristic. 166]
\n34. Alan Hawkshaw – Good Thinking (Optimistic, motive) 2:34
\n[BRL17, Aggressive Advertising. Positive, optimistic. A blend of realsound and synthesisers. 281]
\n35. John Cameron – Neon Strip (Serio comic prowling) 2:00
\n[BRM3, Darkside. Contemporary and futuristic. 45]
\n36. John Cameron – Swordfish (Suspended movement, especially suited to Birds & Fish) 1:49
\n[BRR19, Sketches of Africa. Intriguing Woodwinds, intricate Percussion indicative of Nature Study and native Africa. 251]
\n37. T. Osei, M. Tontoh, A. Harry & M. Owusu (aka ~Osibisa) – African Dawn (Relaxed) 3:05
\n[BRR20, Modern Africa. Contemporary Brass, Woodwind, Rhythm and Percussion. 252]
\n38. Alan Hawkshaw – Beach Journey (Nice free movement) 3:00
\n[BRG6, Sunny Sides. Carefree contemporary tunefuls of small group instrumentation. 67]
\n39. C. Rae \/ F. McDonald \/ G. Shury – Super Kool (Rhythmic, classy) 2:27
\n[BRH1, Rock City. Slick metropolitan and travelling backcloths. 4]
\n40. Trevor Bastow – Kinetic Motion (Automotive) 2:19
\n[BRI8, Kinetics\/Vision. […] 122]
\n41. Alan Hawkshaw – Pro-Motion (Purposeful, motive, confident, industrious) 2:35
\n[BRL7, Music Machine. Clean, fresh, futuristic. 166]
\n16:56:09
\nh\u00edrek\/news
\nBr\u00fcsszeli Dikt\u00e1tum radio show <\/p>\n

Hallgasd meg itt \/ Listen here<\/strong>:
\nas a single .mp3<\/a>
\nor in ~ half an hour long parts:
\n15:00<\/a> | 15:30<\/a> | 16:00<\/a> | 16:30<\/a> <\/p>\n

Bruton Music, part three<\/a> (mixcloud<\/a>)
\n\"Bruton
\n01. John Scott \u2013 Pleasant Surroundings 2
\n02. Brian Bennett \u2013 Surf
\n03. Alan Hawkshaw \u2013 Soft Throttle
\n04. Keith Roberts \u2013 Skyscraper
\n05. C. Rae \/ F. McDonald \/ G. Shury \u2013 Night Groove
\n06. Warren Bennett \u2013 Mix It Up
\n07. Alan Hawkshaw \u200e- Eternity
\n08. Jean Bouchety \u2013 Lifeblood Ending 2
\n09. Alan Hawkshaw \u2013 Digital Vision
\n10. Brian Bennett \u2013 Discovery
\n11. John Coleman \u2013 Exciting Enterprise 1
\n12. David Lindup \u2013 Stealth 1
\n13. John Cameron \u2013 High Noon
\n14. Mike Vickers \u2013 Driving Force
\n15. Francis Monkman \u2013 Current Affairs
\n16. I. Martin\/B. Dee \u2013 Glass
\n17. Alan Hawkshaw \u2013 Autopower
\n18. Zoe De Souza \u2013 Fast Output
\n19. Les Hurdle \/ Frank Ricotti \u2013 Dank
\n20. John Cameron \u2013 Satin 2
\n21. John Cameron \u2013 Treck
\n22. Alan Hawkshaw \u2013 Underwater Voyage
\n23. Keith Mansfield \u2013 Important Montage 2
\n24. Paul Martin \u2013 Peasants Pastures
\n25. John Cameron \u2013 Serengeti Sunlight
\n26. T. Osei, M. Tontoh, A. Harry & M. Owusu (aka ~Osibisa) \u2013 Call of Africa
\n27. Duncan Lamont \u2013 Funky Flutes
\n28. Brian Bennett \u2013 Carefree
\n29. C. Rae \/ F. McDonald \/ G. Shury \u2013 Fast Drive
\n30. Alan Hawkshaw \u200e- Frontiers of Science
\n31. Alan Hawkshaw \u2013 Vision 1.
\n32. Brian Bennett \u2013 A New World
\n33. Alan Hawkshaw \u2013 Technicolour
\n34. Alan Hawkshaw \u2013 Good Thinking
\n35. John Cameron \u2013 Neon Strip
\n36. John Cameron \u2013 Swordfish
\n37. T. Osei, M. Tontoh, A. Harry & M. Owusu (aka ~Osibisa) \u2013 African Dawn
\n38. Alan Hawkshaw \u2013 Beach Journey
\n39. C. Rae \/ F. McDonald \/ G. Shury \u2013 Super Kool
\n40. Trevor Bastow \u2013 Kinetic Motion
\n41. Alan Hawkshaw \u2013 Pro-Motion<\/p>\n","protected":false},"excerpt":{"rendered":"

15:05:19 Bruton Music, part three (mixcloud) [see the more simple\/traditional style tracklist \u2013 with only the artists\u2019 names and track titles \u2013 below, at the bottom of this post, thanks] 01. John Scott – Pleasant Surroundings 2 (Thematic with Strings) … Egy kattint\u00e1s ide a folytat\u00e1shoz…. →<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,11],"tags":[80,20,61,82,81,6,5,40,23],"_links":{"self":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5778"}],"collection":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5778"}],"version-history":[{"count":10,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5778\/revisions"}],"predecessor-version":[{"id":6360,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5778\/revisions\/6360"}],"wp:attachment":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5778"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5778"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5778"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}