{"id":5732,"date":"2020-07-20T16:46:08","date_gmt":"2020-07-20T14:46:08","guid":{"rendered":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5732"},"modified":"2021-06-06T19:35:03","modified_gmt":"2021-06-06T17:35:03","slug":"bbd-radioshow-07-20-2020-bruton-music-part-two","status":"publish","type":"post","link":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5732","title":{"rendered":"BBD radioshow 07.20.2020 &#8211; Bruton Music, part two"},"content":{"rendered":"<p>15:04:50<br \/>\n<a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_two.mp3\" rel=\"noopener\" target=\"_blank\">Bruton Music, part two<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/bruton-music-part-two\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n[see the more simple\/traditional style tracklist \u2013 with only the artists\u2019 names and track titles \u2013 below, at the bottom of this post, thanks]<br \/>\n<em>BRM &#8211; Suspense, Tension.<\/em><br \/>\n01. Frank Reidy &amp; Eric Allen &#8211; Reflections (Reflective soliloquy by alto saxophone with marimba) 3:35<br \/>\n[BRM2, Abstraction in Time. Atmospheric, eerie and suspenseful. 8]<br \/>\n02. Keith Mansfield &#8211; Revolving Patterns (Light movement with underlying tension) 1:57<br \/>\n[BRM4, Fear. Small, mostly woodwind instumentation. Suitable for both drama and documentary application. 46]<br \/>\n03. W. Merrick Farran &#8211; Bedlam (Unearthly whispers) 0:57<br \/>\n[BRM5, House of Horror. A dramatic orchestral horrorscore written in sequences for complete freedom in editing. 116]<br \/>\n04. Stephen St. Paul &#8211; Pretty Soft (Breathy, uplifting) 1:33<br \/>\n[BRM10, Atmospheric Chorale. Strange atmospherics featuring human voices. 202]<br \/>\n05. Trevor Bastow &#8211; High Security 1. (Imposing, apprehension) 2:02<br \/>\n[BRM12, Orchestral Tension. Dramatic Orchestral atmospherics. 285]<br \/>\n06. Simon Benson\/Eugenio Grandi &#8211; Enemy Approach (Dark menace) 1:11<br \/>\n[BRM13, String Tension. Tense, dramatic cues performed by low strings. 286]<br \/>\n07. Alan Hakwshaw &#8211; Barrier Reef (Bold, suspended) 1:14<br \/>\n[BRM14, Underworld. Strange suspenseful underscores. Especially suitable for underwater scenes. 287]<br \/>\n<em>BRN \u2013 Grandiose, Impressive, Panoramic. <\/em><br \/>\n08. John Cameron &#8211; Skyscape (Floating beautiful background impressive build at 1:35 to tail) 2:00<br \/>\n[BRN1, Heritage \/ Panorama. [&#8230;] Impressive scenic scores for full orchestra. 35]<br \/>\n09. Keith Mansfield &#8211; Light Accolade (Brisk light movement thematic to Accolade) 2:30<br \/>\n[BRN2, Impressive Scenes. Impressive themes for full orchestra. 36]<br \/>\n10. Brian Bennett &#8211; Impact In Vision (0-1:02 Fluid descriptive lead up to 1:02-1:23 Impressive theme with impact. 1:23-2:25 as beginning. 2:25-2:57 impressive theme.) 2:57<br \/>\n[BRN3, Progress. The achievements of man. 37]<br \/>\n11. John Scott &#8211; Imposing Surroundings 1 (Building scenic sequences to impressive climax) 2:33<br \/>\n[BRN4, Giants Causeway. Impressive Orchestral themes. B Side more contemporary. 128]<br \/>\n12.  Alan Hakwshaw &#8211; The Ancient Pyramids 1:28<br \/>\n[BRN5, New Horizon \/ The Seven Wonders of the World. [&#8230;] Awe-inspiring suspended atmospherics of a timeless quality. 132]<br \/>\n15:30<br \/>\n13. Nick Ingman &#8211; High Priority 1. (Urgent, determined) 2:18<br \/>\n[BRN12, Travel in Style. Exciting, prestigeous orchestral themes and theme suites with underscore versions. 258]<br \/>\n<em>BRO \u2013 Historical Period.<\/em><br \/>\n14. Brian Bennett &#8211; Renaissance (Reflective, emotional) 3:45<br \/>\n[BRO3, An Age of Elegance. Musical reflections of past cultures. 76]<br \/>\n<em>BRR \u2013 Folk, Nationalistic, Known Work<\/em><br \/>\n15. Orlando Kimber\/John Keliehor &#8211; Garuda (Exotic movement) 3:24<br \/>\n[BRR18, East Meets West. Atmospheres ranging from busy industrial movement to mystical nebulous ambience via pacific native rhyth,s using exotic percussion, synthesisers and advanced studio techniques. 244]<br \/>\n16. Eric Allen &#8211; Sun Beams (Sparkling, active) 1:54<br \/>\n[BRR19, Sketches of Africa. Intriguing Woodwinds, intricate Percussion indicative of Nature Study and native Africa. 251]<br \/>\n17. T. Osei, M. Tontoh, A. Harry &amp; M. Owusu (aka ~Osibisa) &#8211; Safari (Motive Flute &amp; Brass) 2:11<br \/>\n[BRR20, Modern Africa. Contemporary Brass, Woodwind, Rhythm and Percussion. 252]<br \/>\n<em>BRS \u2013 Jazz, Dance <\/em><br \/>\n18. Frank Ricotti &#8211; Cool Captions (Light, accentuated. Ideal for montage cutting) 3:07<br \/>\n[BRS6, Vibes. Conemporary Vibraphone with complimentary rhythm accompaniment. 141]<br \/>\n19. John Cameron &#8211; Basketball (Lighthearted) 1:36<br \/>\n[BRG32, Hot Doughnuts. Action packed, contemporary excitement. 275]<br \/>\n<em>BRD \u2013 Leisure, Pastoral, Nature, Tenderness, Romance. <\/em><br \/>\n20. Alan Hawkshaw &#8211; Glistening (Slow, shimmering) 3:20<br \/>\n[BRD7, Soft Illusions. Warm, leisurely, relaxed contemporary sounds. 65]<br \/>\n21. Brian Bennett &#8211; Butterfly Sanctuary (Delicate) 2:51<br \/>\n[BRD8, Tone Poems. Reflective lyrical pieces. Woodwind, Harp, Percussion, Piano and String Quartet. 68]<br \/>\n<em>BRG \u2013 Happy, Bright, Open Air, Sport.<\/em><br \/>\n22. Keith Mansfield &#8211; Funky Captions (Percussive. Brass and Strings.) 2:30<br \/>\n[BRG2, Contemporary Orchestral. The ultimate in sound for the studio pop orchestra. 34]<br \/>\n23. Brian Bennett &#8211; Montego Bay (Relaxed, lighthearted, exotic) 2:05<br \/>\n[BRG4, Good Times. Happy, colorful contemporary tunes. 40]<br \/>\n24. Peter Morris &#8211; Sunburst (Happy beat) 1:46<br \/>\n[BRG8, Fresh Approach. Contemporary foreground material. 73]<br \/>\n25. John Scott &#8211; Top Honours 2 (Prestigeous Brass theme over contemporary rhythm) 1:18<br \/>\n[BRG15, Spectacle. Big, broad, exciting themes. 120]<br \/>\n16:00<br \/>\n26. John Cameron &#8211; Tower of Power (Impressive prestigious motion) 1:59<br \/>\n[BRG18, Get Up And Go. Exciting, bright, colourful. 160]<br \/>\n27. Paul Hart &#8211; Peppermint Park (Flash) 2:40<br \/>\n[BRG19, Souled Out. Upmarket funky rhythm section features. 173]<br \/>\n28. Duncan Lamont &#8211; Tinsel Town (Ultrabite) 2:29<br \/>\n[BRG30, Television Today. Upbeat, entertaining orchestral scores with contemporary rhythm. 265]<br \/>\n<em>BRH \u2013 Contemporary, Pop, Rock.<\/em><br \/>\n29. Alan Hawkshaw &#8211; Hawkwind And Fire (Aggresive funk to surprise ending) 3:01<br \/>\n[BRH5, Lighy My Fire. Uptempo, vivid Brass and Rhythm. 62]<br \/>\n30. Brian Bennett &#8211; Hip Joint (Groovy &#8216;City after dark&#8217; mood) 3:08<br \/>\n[BRH8, Rhtyhm Stick. Pacey and loud to cool layed back contemporary scores featuring Guitars, Keyboards, Woodwind, Brass, Drums and Percussion. 102]<br \/>\n31. Paul Keogh &#8211; Uproar In Rio (Wild exciting Jazz-Samba) 1:41<br \/>\n[BRH10, Blow Out. Contemporary West Coast Jazz-Rock and Jazz Sambas. 121]<br \/>\n32. Brian Wade &#8211; Riders In The Sky (Confident, successful) 2:06<br \/>\n[BRH13, New Directions. Hard Hitting thru to ethereal. Features Brass, Vocoder, Rhythm and Synthesised sounds. 158]<br \/>\n33. Johnny Pearson &#8211; Minor Robot (Relaxed, futuristic) 3:56<br \/>\n[BRH24, Accent on Rhythm. Jazz funk and electro boogie styles. 262]<br \/>\n<em>BRI \u2013 Futuristic, Electronic. <\/em><br \/>\n34. Alan Hawkshaw &#8211; Wave-Forms (Electronic equipment or movement) 2:52<br \/>\n[BRI1, Terrestrial Journey. A Contemporary Suite depicting space and time passage. 24]<br \/>\n35. Francis Monkman \u2013 Getting Ready (Preparatory underscore) 2:07<br \/>\n[BRI2, Tempus Fugit. Exciting time and motion study in contemporary electronic music. 23]<br \/>\n36. Clive Hicks &#8211; Sunny Waters (Light, neutral) 1:25<br \/>\n[BRI5, Thought Patterns. Sparse Bass, Guitar and Electronics. 94]<br \/>\n16:30<br \/>\n<em>BRJ \u2013 Theme Sets. Documentary and Drama Suites.<\/em><br \/>\n37. Brian Bennett &#8211; Thug (Menace) 1:28<br \/>\n[BRJ2, Drama Montage. A comprehensive theme set of modern dramatics. 19]<br \/>\n38. Keith Mansfield &#8211; Important Project (Panoramic, large scale) 3:00<br \/>\n[BRJ3, Important Project\/Wonders of the World\/Endeavour. Dramatic orchestral theme, fluid underscores describing variousstages of progress from quite beginning to fulfilment. [&#8230;] 30]<br \/>\n39. Andrew Jackman \u2013 Underwater Beauty 1 (Nebulous, suspended) 1:47<br \/>\n[BRJ4, Thriller\/Suite of the Hurricane\/Suite of the Shark. [\u2026] Contemporary classical suite. Moods range from peace to intense danger. 55]<br \/>\n40.  Brian Bennett &#8211; Running Scared (Relentless pursuit in sections of varying degrees of intensity) 3:10<br \/>\n[BRJ6, The World Around Us. A penetrating sutdy of nature. Woodwind, Harp, Percussion, Piano and String Quartet. 69]<br \/>\n41. Brian Bennett &#8211; Villain (Four tense scenesetter\/motifs for use separately or as part of whole. Main item at 1:06 moves along with underlying menace to end) 2:42<br \/>\n[BRJ8, Drama Montage Volume Two. A comprehensive set of modern dramatic movement, suspense and atmos. Will cut and cross fade just as you would wish. 83]<br \/>\n42. John Hawkins &#8211; Deadbeat (Comedy suspense) 2:16<br \/>\n[BRJ9, Web of Intrigue\/Investigator [\u2026] A light hearted funky drama suite. 84]<br \/>\n<em>BRK \u2013 Action, Pace, Danger, Force of Elements. <\/em><br \/>\n43. John Scott &#8211; Tearaway (2 Proclamatory statements to fast dramatic orchestral motion) 1:33<br \/>\n[BRK4, Dramatic Action. Highpowered danger. Big instumentation. 59]<br \/>\n44. Steve Gray &#8211; Bionic Coconuts (Percussive action with humour) 2:28<br \/>\n[BRK5, Contemporary Motion. Action scenes in varying degrees of intensity. 93]<br \/>\n45. Brian Bennett\/Cliff Hall &#8211; Don&#8217;t Stop! (Determined, gritty) 2:30<br \/>\n[BRK8, Thrills and Spills. Exciting scenes. Big to small instrumentation. 221]<br \/>\n16:50:08<br \/>\n&#8212;<br \/>\n(from this point not on mixcloud)<br \/>\n46. I. Martin\/B. Dee &#8211; Glass (Warm, revolving) 2:27<br \/>\n[BRL5, Light Industry. Contemporary, semi-electronic. 103]<br \/>\n47. Orlando Kimber\/John Keliehor &#8211; One Language (Gentle flowing underscore with hypnotic Marima feature) 3:28<br \/>\n[BRR18, East Meets West. Atmospheres ranging from busy industrial movement to mystical nebulous ambience via pacific native rhythms using exotic percussion, synthesisers and advanced studio techniques. 244]<br \/>\n16:56:10<br \/>\nh\u00edrek\/news<br \/>\nBr\u00fcsszeli Dikt\u00e1tum radio show <\/p>\n<p><strong>Hallgasd meg itt \/ Listen here<\/strong>:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200720-150450-165610.mp3\" target=\"_blank\">as a single .mp3<\/a><br \/>\nor in ~ half an hour long parts:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200720-150450-153000.mp3\">15:00<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200720-153000-160000.mp3\">15:30<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200720-160000-163000.mp3\">16:00<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200720-163000-165610.mp3\">16:30<\/a> <\/p>\n<p><a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_two.mp3\" rel=\"noopener\" target=\"_blank\">Bruton Music, part two<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/bruton-music-part-two\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n<img decoding=\"async\" src=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_two_insta.jpg\" alt=\"Bruton Music\" \/><br \/>\n01. Frank Reidy &amp; Eric Allen \u2013 Reflections<br \/>\n02. Keith Mansfield \u2013 Revolving Patterns<br \/>\n03. W. Merrick Farran \u2013 Beldam<br \/>\n04. Stephen St. Paul \u2013 Pretty Soft<br \/>\n05. Trevor Bastow \u2013 High Security 1.<br \/>\n06. Simon Benson\/Eugenio Grandi \u2013 Enemy Approach<br \/>\n07. Alan Hakwshaw \u2013 Barrier Reef<br \/>\n08. John Cameron \u2013 Skyscape<br \/>\n09. Keith Mansfield \u2013 Light Accolade<br \/>\n10. Brian Bennett \u2013 Impact In Vision<br \/>\n11. John Scott \u2013 Imposing Surroundings 1<br \/>\n12. Alan Hakwshaw \u2013 The Ancient Pyramids<br \/>\n13. Nick Ingman \u2013 High Priority 1.<br \/>\n14. Brian Bennett \u2013 Renaissance<br \/>\n15. Orlando Kimber\/John Keliehor \u2013 Garuda<br \/>\n16. Eric Allen \u2013 Sun Beams<br \/>\n17. T. Osei, M. Tontoh, A. Harry &amp; M. Owusu (aka ~Osibisa) \u2013 Safari<br \/>\n18. Frank Ricotti \u2013 Cool Captions<br \/>\n19. John Cameron \u2013 Basketball<br \/>\n20. Alan Hawkshaw \u2013 Glistening<br \/>\n21. Brian Bennett \u2013 Butterfly Sanctuary<br \/>\n22. Keith Mansfield \u2013 Funky Captions<br \/>\n23. Brian Bennett \u2013 Montego Bay<br \/>\n24. Peter Morris \u2013 Sunburst<br \/>\n25. John Scott \u2013 Top Honours 2<br \/>\n26. John Cameron \u2013 Tower of Power<br \/>\n27. Paul Hart \u2013 Peppermint Park<br \/>\n28. Duncan Lamont \u2013 Tinsel Town<br \/>\n29. Alan Hawkshaw \u2013 Hawkwind And Fire<br \/>\n30. Brian Bennett \u2013 Hip Joint<br \/>\n31. Paul Keogh \u2013 Uproar In Rio<br \/>\n32. Brian Wade \u2013 Riders In The Sky<br \/>\n33. Johnny Pearson \u2013 Minor Robot<br \/>\n34. Alan Hawkshaw \u2013 Wave-Forms<br \/>\n35. Francis Monkman \u2013 Getting Ready<br \/>\n36. Clive Hicks \u2013 Sunny Waters<br \/>\n37. Brian Bennett \u2013 Thug<br \/>\n38. Keith Mansfield \u2013 Important Project<br \/>\n39. Andrew Jackman \u2013 Underwater Beauty 1<br \/>\n40. Brian Bennett \u2013 Running Scared<br \/>\n41. Brian Bennett \u2013 Villain<br \/>\n42. John Hawkins \u2013 Deadbeat<br \/>\n43. John Scott \u2013 Tearaway<br \/>\n44. Steve Gray \u2013 Bionic Coconuts<br \/>\n45. Brian Bennett\/Cliff Hall \u2013 Don\u2019t Stop!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>15:04:50 Bruton Music, part two (mixcloud) [see the more simple\/traditional style tracklist \u2013 with only the artists\u2019 names and track titles \u2013 below, at the bottom of this post, thanks] BRM &#8211; Suspense, Tension. 01. Frank Reidy &amp; Eric Allen &hellip; <a href=\"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5732\">Egy kattint\u00e1s ide a folytat\u00e1shoz&#8230;. <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,11],"tags":[80,20,61,82,81,6,5,40,23],"_links":{"self":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5732"}],"collection":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5732"}],"version-history":[{"count":14,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5732\/revisions"}],"predecessor-version":[{"id":6358,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5732\/revisions\/6358"}],"wp:attachment":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5732"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}