{"id":5713,"date":"2020-07-06T16:46:21","date_gmt":"2020-07-06T14:46:21","guid":{"rendered":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5713"},"modified":"2021-06-06T19:32:50","modified_gmt":"2021-06-06T17:32:50","slug":"bbd-radioshow-07-06-2020-bruton-music-part-one","status":"publish","type":"post","link":"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5713","title":{"rendered":"BBD radioshow 07.06.2020 &#8211; Bruton Music, part one"},"content":{"rendered":"<p>15:08:09<br \/>\n<a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_one.mp3\" rel=\"noopener\" target=\"_blank\">Bruton Music, part one<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/bruton-music-part-one\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n[see the more simple\/traditional style tracklist &#8211; with only the artists&#8217; names and track titles &#8211; below, at the bottom of this post, thanks]<br \/>\n<em>BRD &#8211; Leisure, Pastoral, Nature, Tenderness, Romance.<\/em><br \/>\n01. Brian Bennett &#8211; Electric Rainbow (Revolving pattern under solo Flugel Horn) 3:38<br \/>\n[BRD7, Soft Illusions. Warm, leisurely, relaxed contemporary sounds. 65]<br \/>\n02. Brian Bennett &#8211; Migration (Suspended movement) 3:29<br \/>\n[BRD8, Tone Poems. Reflective lyrical pieces. Woodwind, Harp, Percussion, Piano and String Quartet. 68]<br \/>\n03. Brian Bennett &#8211; The Sea (Dramatic seascape) 4:10<br \/>\n[BRD19, Nature Watch. Sustained electro-atmospherics. 190]<br \/>\n04. Alan Hawkshaw &#8211; Malibu Queen (Sexy) 3:16<br \/>\n[BRD24, Cover Girl. Sophisticated, glossy, leisurely and warm. Contemporary sounds. 272]<br \/>\n<em>BRG &#8211; Happy, Bright, Open Air, Sport.<\/em><br \/>\n05. Steve Gray &#8211; Going Places (Propulsive orchestral theme) 2:04<br \/>\n[BRG2, Contemporary Orchestral. The ultimate in sound for the studio pop orchestra. 34]<br \/>\n06. David Lindup &#8211; Jetting East (Light action, Oriental motif.) 1:25<br \/>\n[BRG4, Good Times. Happy, colorful contemporary tunes. 40]<br \/>\n07. John Scott &#8211; Motordown (Confident, exhilarating) 2:25<br \/>\n[BRG5, Happiness. &#8216;Get up and go&#8217; moods, both orchestral and contemporary. 54]<br \/>\n08. John Cameron &#8211; Sprocket Shuffle (Electro Reggae shuffle) 1:55<br \/>\n[BRG8, Fresh Approach. Contemporary foreground material. 73]<br \/>\n15:30<br \/>\n09. Nick Ingman &#8211; Power Plus Plenty 1 (Powerful exciting staccato opening to catchy bright theme at 0:37. Reverts as beginning for last 40 secs) 2:20<br \/>\n[BRG9, The Will To Win. Big foreground themes depicting exciting achievement and athletic supremacy. 74]<br \/>\n10. Norman Warren &#8211; Chasing Rainbows (Uptempo motion featuring Flute) 1:25<br \/>\n[BRG15, Spectacle. Big, broad, exciting themes. 120]<br \/>\n11. John Cameron &#8211; Dynamite (Extrovert, contemporary) 1:45<br \/>\n[BRG18, Get Up And Go. Exciting, bright, colourful. 160]<br \/>\n12. Frank Ricotti &#8211; Going for it (On-going) 2:14<br \/>\n[BRG19, Souled Out. Upmarket funky rhythm section features. 173]<br \/>\n13. Duncan Lamont &#8211; Gunrunner (Exciting action packed theme) 2:17<br \/>\n[BRG30, Television Today. Upbeat, entertaining orchestral scores with contemporary rhythm. 265]<br \/>\n<em>BRH &#8211; Contemporary, Pop, Rock.<\/em><br \/>\n14. Keith Mansfield &#8211; Blockbuster (Punchy aggressive Brass with funky underlay) 2:41<br \/>\n[BRH5, Lighy My Fire. Uptempo, vivid Brass and Rhythm. 62]<br \/>\n15. Les Hurdle &#8211; African Flambe (Uptempo rock samba) 1:36<br \/>\n[BRH8, Rhtyhm Stick. Pacey and loud to cool layed back contemporary scores featuring Guitars, Keyboards, Woodwind, Brass, Drums and Percussion. 102]<br \/>\n16. Frank Ricotti &#8211; Supersamba (Wild exciting Jazz-Samba) 1:41<br \/>\n[BRH10, Blow Out. Contemporary West Coast Jazz-Rock and Jazz Sambas. 121]<br \/>\n17. Brian Wade &#8211; Earth Tones (Vibrant, rhythmic, visually impressive) 2:19<br \/>\n[BRH13, New Directions. Hard Hitting thru to ethereal. Features Brass, Vocoder, Rhythm and Synthesised sounds. 158]<br \/>\n18. Mike Moran &#8211; Airport (Smooth and stylish) 2:53<br \/>\n[BRH16, City Limits. Tight funky rhythm with Brass riffs and Alto Sax getting in occasionally. Mike Moran title with Strings added. 183]<br \/>\n19. John Cameron &#8211; Dawn At The Superbowl (Bleak anticipation, tail end) 1:53<br \/>\n[BRH22, Power Play. Contemporary, beefy, energetic. 260]<br \/>\n20. Alan Hawkshaw &#8211; Fastest Man on Earth submix (Without front line) 4:02<br \/>\n[BRH24, Accent on Rhythm. Jazz funk and electro boogie styles. 262]<br \/>\n<em>BRI &#8211; Futuristic, Electronic.<\/em><br \/>\n21. Alan Hawkshaw &#8211; Terrestrial Fanfare (Bold futuristic) 2:38<br \/>\n[BRI1, Terrestrial Journey. A Contemporary Suite depicting space and time passage. 24]<br \/>\n16:00<br \/>\n22. Francis Monkman &#8211; Daredevil (Danger, aggression) 2:45<br \/>\n[BRI2, Tempus Fugit. Exciting time and motion study in contemporary electronic music. 23]<br \/>\n23. Dave Richmond &#8211; Rainy Road (Repetitive, neutral, motion) 1:33<br \/>\n[BRI5, Thought Patterns. Sparse Bass, Guitar and Electronics. 94]<br \/>\n24. Alan Hawkshaw &#8211; Flight of Fantasy (Suspended, pleasant theme) 3:43<br \/>\n[BRI27, Odyssey. Atmospheres which emphasise the wonderment of existence. 295]<br \/>\n<em>BRJ &#8211; Theme Sets. Documentary and Drama Suites.<\/em><br \/>\n25. Johnny Pearson &#8211; Industrial Power (Different version. Contemporary rhythm tail end.) 2:10<br \/>\n[BRJ1, Great Expectations. A full orchestral suite depicting the achievement of man in face of natural elements. 17]<br \/>\n26. Brian Bennett &#8211; Prowler (General dark underscore) 2:14<br \/>\n[BRJ2, Drama Montage. A comprehensive theme set of modern dramatics. 19]<br \/>\n27. Keith Mansfield &#8211; Soft Action (Purposeful activity) 1:09<br \/>\n[BRJ3, Important Project\/Wonders of the World\/Endeavour. Dramatic orchestral theme, fluid underscores describing variousstages of progress from quite beginning to fulfilment. 30]<br \/>\n28. Andrew Jackman &#8211; Underwater Beauty 2 (Solo electric piano version) 1:47<br \/>\n[BRJ4, Thriller\/Suite of the Hurricane\/Suite of the Shark. [&#8230;] Contemporary classical suite. Moods range from peace to intense danger. 55]<br \/>\n29. Bill McCauley &#8211; Danger (Ominous, fearsome, builds to climax.) 2:12<br \/>\n[BRJ5, Wildlife\/Suite of the Hunter. [&#8230;] An orchestral study of nature especially suited to the North American continent.<br \/>\n30. Brian Bennett &#8211; Running Free (Free movement dramatic build from 1:30 to tragic death chord) 2:07<br \/>\n[BRJ6, The World Around Us. A penetrating sutdy of nature. Woodwind, Harp, Percussion, Piano and String Quartet. 69]<br \/>\n31. Brian Bennett &#8211; Spiv (Cool character theme) 1:58<br \/>\n[BRJ8, Drama Montage Volume Two. A comprehensive set of modern dramatic movement, suspense and atmos. Will cut and cross fade just as you would wish. 83]<br \/>\n32. John Hawkins &#8211; Zed Bends (Gritty tense movement) 3:00<br \/>\n[BRJ9, Web of Intrigue\/Investigator [&#8230;] A light hearted funky drama suite. 84]<br \/>\n33. Steve Gray &#8211; Squirrel (Darting spasmodic woodwind activity) 1:43<br \/>\n[BRJ10, Time and Motion\/Emotions. Sparse contemporary underscores for Keyboard, Guitar and Flutes. 87]<br \/>\n34. Richard Hill &#8211; Plague Version 2 (Random Sting glissandi) 0:28<br \/>\n[BRJ11, Universe\/Deadly Nightshade. A symphonic atmospheric suite of bold dimensions. 98]<br \/>\n35. Basil Kirchen \/ Jack Nathan &#8211; Birth Of An Adventure (Native drum intro for links etc to soft descriptive theme with native percussion.) 2:16<br \/>\n[BRJ12, Wildlife &#8211; Nature Reserve\/Native Percussion. A refreshingly different theme suite designed for Nature Study application. Sequences are designed to be cut where mood changes occur and throughout to facilitate editing. 99]<br \/>\n36. John Scott &#8211; Pentathlon (Populsive stength) 2:56<br \/>\n[BRJ17, Theme Sets. Orchestral suites of differing treatments of basic themes. Each cue is written in sequences to facilitate editing. 124]<br \/>\n16:30<br \/>\n37. John Scott &#8211; Nature&#8217;s Revelations 2 (Developed theme with rhythmic pattern) 2:31<br \/>\n[BRJ18, Lifes Ritual. An unusual atmospheric suite descriptive of life in a natural environment. 127]<br \/>\n38. Steve Jolliffe &#8211; Earths Effects (Weird with electronic effects) 3:29<br \/>\n[BRJ24, Earth. Folky surrealistic impressions of life on earth past, present and future. 167]<br \/>\n39. John Cameron &#8211; Let Me Through 1. (Panic to dark tail) 0:52<br \/>\n[BRJ30, Drama and Intrigue. Orchestral emotional, tension building and linking incidental underscores. 298]<br \/>\n<em>BRK &#8211; Action, Pace, Danger, Force of Elements.<\/em><br \/>\n40. John A. Coleman &#8211; Daring Endeavour (Fast motion, element of risk, without Brass) 1:29<br \/>\n[BRK4, Dramatic Action. Highpowered danger. Big instumentation. 59]<br \/>\n41. Trevor Bastow &#8211; Motion 6 (Menacing movie rhythm. Held end) 2:10<br \/>\n[BRK5, Contemporary Motion. Action scenes in varying degrees of intensity. 93]<br \/>\n42. John Cameron &#8211; Rescue Helicopter 2 (Editable end for fade intro distance) 0:58<br \/>\n[BRK6, Emergency. Urgency, drama, achievement. 133]<br \/>\n43. John Cameron &#8211; Suspicious 1 (Tense motion. Tail end) 1:46<br \/>\n[BRK7, Breakout. Aggressive contemporary action themes and sequences. 161]<br \/>\n44. Brian Bennett &#8211; The Capture (Native Percussion) 2:05<br \/>\n[BRK8, Thrills and Spills. Exciting scenes. Big to small instrumentation. 221]<br \/>\n<em>BRL &#8211; Industry.<\/em><br \/>\n45. Alan Hawkshaw &#8211; The Speed of Sound (Urgent free flowing pace) 2:48<br \/>\n[BRL1, Auturbine. Contemporary, efficient movement. 33]<br \/>\n46. L. Hurdle\/F. Ricotti &#8211; Urgent Delivery (Insistant, percussive) 2:09<br \/>\n[BRL3, Advanced Technology. Efficient, contemporary, purposeful. Realised with the use of advanced recording techniques. 75]<br \/>\n47. F. Ricotti\/Les Hurdle &#8211; Seabird (Slow, ponderous) 2:34<br \/>\n[BRL4, Futurama. Semi-electronic sequences for new technology. 90]<br \/>\n48. I. Martin\/B. Dee &#8211; Lubricator (Fluid smooth motion) 2:25<br \/>\n[BRL5, Light Industry. Contemporary, semi-electronic. 103]<br \/>\n49. James Asher &#8211; Telecom (Fluid, effortless) 3:37<br \/>\n[BRL9, Commerce. Semi electronic, industrious. 177]<br \/>\n<em>BRM &#8211; Suspense, Tension.<\/em><br \/>\n50. Steve Gray &#8211; Pendulum 1 (Tension with &#8216;time figure&#8217;. Tail end) 1:54<br \/>\n[BRM1, Menace. Tense dramatic orchestral underscores. 44]<br \/>\n16:57:06<br \/>\nh\u00edrek\/news<br \/>\nBr\u00fcsszeli Dikt\u00e1tum radio show <\/p>\n<p>(In 2 weeks:<br \/>\n<em>BRM &#8211; Suspense, Tension.<br \/>\nBRN &#8211; Grandiose, Impressive, Panoramic.<br \/>\nBRO &#8211; Historical Period.<br \/>\nBRR &#8211; Folk, Nationalistic, Known Work<br \/>\nBRS &#8211; Jazz, Dance <\/em><br \/>\n&#8230;and bonus breaks and beats &#8211; i.e. bonus tracks &#8211; from BRD until BRS) <\/p>\n<p><strong>Hallgasd meg itt \/ Listen here<\/strong>:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200706-150809-165706.mp3\" target=\"_blank\">as a single .mp3<\/a><br \/>\nor in ~ half an hour long parts:<br \/>\n<a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200706-150809-153000.mp3\">15:00<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200706-153000-160000.mp3\">15:30<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200706-160000-163000.mp3\">16:00<\/a> | <a href=\"https:\/\/tilos.hu\/mp3\/tilos-20200706-163000-165706.mp3\">16:30<\/a> <\/p>\n<p><a href=\"http:\/\/bossabomdia.tilos.hu\/tomanek-bruton_music_part_one.mp3\" rel=\"noopener\" target=\"_blank\">Bruton Music, part one<\/a> (<a href=\"https:\/\/www.mixcloud.com\/tomanek\/bruton-music-part-one\/\" rel=\"noopener\" target=\"_blank\">mixcloud<\/a>)<br \/>\n<img decoding=\"async\" src=\"http:\/\/bossabomdia.tilos.hu\/bruton_music.jpg\" alt=\"Bruton Music\" \/><br \/>\n01. Brian Bennett \u2013 Electric Rainbow<br \/>\n02. Brian Bennett \u2013 Migration<br \/>\n03. Brian Bennett \u2013 The Sea<br \/>\n04. Alan Hawkshaw \u2013 Malibu Queen<br \/>\n05. Steve Gray \u2013 Going Places<br \/>\n06. David Lindup \u2013 Jetting East<br \/>\n07. John Scott \u2013 Motordown<br \/>\n08. John Cameron \u2013 Sprocket Shuffle<br \/>\n09. Nick Ingman \u2013 Power Plus Plenty 1<br \/>\n10. Norman Warren \u2013 Chasing Rainbows<br \/>\n11. John Cameron \u2013 Dynamite<br \/>\n12. Frank Ricotti \u2013 Going for it<br \/>\n13. Duncan Lamont \u2013 Gunrunner<br \/>\n14. Keith Mansfield \u2013 Blockbuster<br \/>\n15. Les Hurdle \u2013 African Flambe<br \/>\n16. Frank Ricotti \u2013 Supersamba<br \/>\n17. Brian Wade \u2013 Earth Tones<br \/>\n18. Mike Moran \u2013 Airport<br \/>\n19. John Cameron \u2013 Dawn At The Superbowl<br \/>\n20. Alan Hawkshaw \u2013 Fastest Man on Earth submix<br \/>\n21. Alan Hawkshaw \u2013 Terrestrial Fanfare<br \/>\n22. Francis Monkman \u2013 Daredevil<br \/>\n23. Dave Richmond \u2013 Rainy Road<br \/>\n24. Alan Hawkshaw \u2013 Flight of Fantasy<br \/>\n25. Johnny Pearson \u2013 Industrial Power<br \/>\n26. Brian Bennett \u2013 Prowler<br \/>\n27. Keith Mansfield \u2013 Soft Action<br \/>\n28. Andrew Jackman \u2013 Underwater Beauty 2<br \/>\n29. Bill McCauley \u2013 Danger<br \/>\n30. Brian Bennett \u2013 Running Free<br \/>\n31. Brian Bennett \u2013 Spiv<br \/>\n32. John Hawkins \u2013 Zed Bends<br \/>\n33. Steve Gray \u2013 Squirrel<br \/>\n34. Richard Hill \u2013 Plague Version 2<br \/>\n35. Basil Kirchen \/ Jack Nathan \u2013 Birth Of An Adventure<br \/>\n36. John Scott \u2013 Pentathlon<br \/>\n37. John Scott \u2013 Nature\u2019s Revelations 2<br \/>\n38. Steve Jolliffe \u2013 Earths Effects<br \/>\n39. John Cameron \u2013 Let Me Through 1.<br \/>\n40. John A. Coleman \u2013 Daring Endeavour<br \/>\n41. Trevor Bastow \u2013 Motion 6<br \/>\n42. John Cameron \u2013 Rescue Helicopter 2<br \/>\n43. John Cameron \u2013 Suspicious 1<br \/>\n44. Brian Bennett \u2013 The Capture<br \/>\n45. Alan Hawkshaw \u2013 The Speed of Sound<br \/>\n46. L. Hurdle\/F. Ricotti \u2013 Urgent Delivery<br \/>\n47. F. Ricotti\/Les Hurdle \u2013 Seabird<br \/>\n48. I. Martin\/B. Dee \u2013 Lubricator<br \/>\n49. James Asher \u2013 Telecom<br \/>\n50. Steve Gray \u2013 Pendulum 1 <\/p>\n","protected":false},"excerpt":{"rendered":"<p>15:08:09 Bruton Music, part one (mixcloud) [see the more simple\/traditional style tracklist &#8211; with only the artists&#8217; names and track titles &#8211; below, at the bottom of this post, thanks] BRD &#8211; Leisure, Pastoral, Nature, Tenderness, Romance. 01. Brian Bennett &hellip; <a href=\"http:\/\/blog.tilos.hu\/bossabomdia\/?p=5713\">Egy kattint\u00e1s ide a folytat\u00e1shoz&#8230;. <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,11],"tags":[80,20,61,82,81,6,5,40,23],"_links":{"self":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5713"}],"collection":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5713"}],"version-history":[{"count":18,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5713\/revisions"}],"predecessor-version":[{"id":6357,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=\/wp\/v2\/posts\/5713\/revisions\/6357"}],"wp:attachment":[{"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5713"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5713"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.tilos.hu\/bossabomdia\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}